Peeking up out of Lake Orta, just 400 meters from shore, the fairytale Isola San Giulio emerges from the rippling waves in the form of a beautiful and quaint village. With soaring mountains as the backdrop, and with picturesque architecture in both renaissance and baroque styles, the tiny island is irresistibly photogenic.

As you first arrive at the dock, follow the “way of silence and meditation,” a narrow street that meanders around the entirety of the island. Along the way, stop by the Romanesque Basilica di San Giulio (a 19th century seminary, and the top attraction of St. Julius Island), the bishop’s palace, and the Benedictine abbey. This abbey is still a permanent convent of cloistered nuns who devote themselves to prayer, study, restoration of church vestments, and making the famous “pane di San Giulio.”

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There are a handful of mansions to visit while exploring the secluded island, including Villa Perone and Villa Crespi, both of which are magnificently styled with gardens. Most of the other buildings on the Isola San Giulio are private residences, though one of the oldest, Villa Tallone, opens yearly to host classical concerts.

With a rich history, and a whole lot of beauty and character, St. Julius Island is a perfect day trip for those traveling within the Piedmont area of Italy and looking for a remote adventure.

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A surreal and magical place, with hidden chambers and mysterious symbolism, La Scarzuola is a fairytale convent with an evocative atmosphere. From extravagant mosaics to looming gargoyles and the all-seeing-eye, this 16th century monastery-turned-haunting-wonderland is characterized by an astronomical and labyrinthine feel.

According to medieval chronicles, this is the place where Saint Francis of Assisi planted a rose and a laurel; miraculously, a fountain sprung up and flowed. Saint Francis built himself a hut at the spot in 1218, and the counts of Marsciano later constructed a church and convent complex in its place as a remembrance of the miracle.

In 1956, the complex was bought by milan architect Tomaso Buzzi and transformed it into his idea of an “ideal city.” Apparently inspired by Francesco Colonna’s romantic story, “Hypnerotomachia Poliphili,” the architectural style best associated with La Scarzuola is neo-mannerism; the use of stairs in various directions, the deliberate disproportion of some structures, the heaping together of buildings and monuments, they all point to his bizarre and slightly idealistic vision. With 7 theaters and an eccentric design, this “lay city” was quite the contrast to the “holy city” adjacent to it.

A sort of “autobiography in stone,” La Scarzuola is a physical reflection of Buzzi’s philosophical inner life as well as an interpretation of the unconscious mind. A modge-podge of familiar monuments (Arc de Triomphe, Parthenon, etc) are intertwined with dark symbolism in layers of structures and winding corridors, all paralleling and defying the church convent next door. As a real eschatological allegory of existence, La Scarzuola is worth traveling to Italy’s Umbria region for.

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On the northwest shore of the Gulf of Naples, there’s an enchanting glimpse of history in the depths of the sea: The Archeological Marine Park of Baia. What was once a thriving holiday resort for the ultra-wealthy Romans, Baia was later partially submerged due to volcanic activity. With an otherworldly sense of awe and quiet, explorers can snorkel or scuba dive to view the intricate mosaics, marbled floors, eerie statues, and imperial baths.

From 100BC to 500AD, Baia was a destination spot for the super-rich; it was deemed more fashionable than Capri or even Pompeii. Roman socialites constructed luxury summer villas that included ornate tile floors, grand columns, and beautiful murals. Down the street, these high caliper Romans would seek out mineral baths that were set atop local hot springs. They were truly living in extravagance.

But opulence and vice sometimes go hand in hand. Along with the riches and fame, Baia was notorious for its rumors of scandal, corruption, and hedonistic offerings. Sextus Propertius characterized Baia as a “den of licentiousness and vice,” while Seneca the Younger describes it in one of the moral epistles as a “vortex of luxury” and a “harbor of vice.” With a dark side to its fame, Baia was attacked during the Barbarian Invasions, as well as throughout the 8th century. It was later abandoned in 1500AD for recurrent malaria spikes.

As it was located in the Phlegraean Fields, an active volcanic area, the town eventually began sinking into the sea, with the lower part of town being fully submerged by the end of the 8th century. Today, this previously elite city includes above ground ruins (Parco Archeologico delle Terme di Baia), as well as a series of 5 underwater sites that range from 5-13 meters in depth. An incredible submerged city, Baia is an adventure waiting to happen.